Joel
Sronce

“Onto such tracks the revolutionaries divert their train, with its contraband cargo, unregisterable, supernumerary, powering for a horizon, an edge as far away as ever and yet careening closer.
 
Or so it looks from the liberated train, in liberty’s dim light.”

- China Miéville, October

 

If in the years that brought

the decade to a close,

you loitered outside the Workers’ Center,

where the tracks for eastbound trains

bend left

into the city,

 

you would have known

 

a glint of green

shattered glass

among the railway stones,

 

and a stopgap camp of houseless

souls – rain-soaked cardboard

blanketing brambles;

 

and perhaps if it were February,

a paper bag caught by ice

in the parking lot,

twitching in the wind like a sparrow

dying,

 

or in some sultry August evening

on the other side of the year,

a long red sunset of late summer

bleeding down through vacant condo windows

in the Greensboro skyline.

 

And then all of it

trembles.

This uneven world.

 

A distant cacophony.

A grumble in the belly of a beast.

 

The glass and gravel wake.

Brambles begin to rustle and bend;

the cardboard raises up on end.

And high-rises rattle,

occupied by an alien pulse.

 

A clamor of something coming.

 

Because what you also would have known,

hanging around as the decade rumbled

at its close, in those years struggling

for sanctuary, for abolition,

and breath,

is that in the Workers’ Center

by the curving of the tracks,

 

revolutionaries met.

 

**

 

Up the few stairs we’d leap;

we’d limp; we’d dawdle.

We’d sashay in.

Hauling our work clothes,

and bicycles,

and sometimes our children.

 

International socialists, laboring in

from dish rooms and cubicles,

from assembly cells and lecture halls:

A fraction of the masses – 

Brown and white and Black.

Settling into the chairs where

Marcus Deon Smith once stood

cutting hair, or just sat

and shared sorrows

and laughed.

 

All along the walls, wreathing

the room, yarn held signs telling tales

of strikes and uprisings – the memory

of the working class in the South.

 

In one corner, a comrade

conducting childcare,

and on the other side another

running security by the door;

someone else between them,

cutting open a box of newspapers

from Chicago.

 

Our coats stayed on in the winter,

our collars and hoodies up,

and in summer we panted, shirts

unbuttoned, our sleeves rolled back,

cooking in the concrete cavern

by the railroad tracks.

 

Someone would speak, shoveling

fuel into our hearts,

as the eyes of all were lit,

burning toward revolution,

and sustained

with kinship.

 

**

 

And we’d rise up for the teachers;

and we’d march against I.C.E.;

 

and we’d organize to be stronger

than the violence of the police;

to be a harbor for high-school students

striking for their lives;

 

to accelerate, to agitate, to prepare

for an uprising’s arrival;

 

and to kick it with kids

tasked too soon

with survival.

 

We’d labor to maintain our own history,

and the sanctuary of self-activity,

of radical clarity,

 

and whatever working people needed

against so much hate:

 

A piston-box for the steam of our city.

An antidote against noxious amnesia.

A means to mobilize outrage.

 

At times we were only

an image: Raised fists

toward wherever came a desperate call

for solidarity – from Baton Rouge or Khartoum,

from Gaza or Caracas or Hong Kong.

Our faces as anonymous as graffiti on a train car;

 

yet offering proof of comrades

in unlikely places,

out there beyond the next

bend left,

 

echoing with their own

culture and power

whatever clarion call has come hurtling out

from the other side of the world.

 

Even these swift flashes are sparks

in the furnace of revolution,

on which our mighty engine runs.

 

**

 

And mid-meeting the train would always come.

Like clockwork, like a screeching polemic

atop clashes of comradely debate,

the train was never late.

In spitting distance

of our rattling windows,

its cacophony roared in.

 

We’d laugh; we’d get angry;

we’d throw up our hands

in brief defeat, exasperation – 

cast into a moment of silence.

 

Or perhaps, now, a moment of reflection,

of gratitude, bowing our heads

for those who came before us – who laid

those tracks, those sinews of power

on which we all travel – and for those

who will arrive after;

 

and the train would pound into the night,

hauling the dockworkers’ labor,

the stevedores’ sweat,

the proletariat’s production,

and yes, the graffiti artists’ anonymity,

but also their voices and pain

and victories.

 

A moment of silence

until the train had thundered on,

 

and so would we.

 

**

 

In some ways we are apart now,

separate train cars once linked on one line,

now on new tracks, in the company of new cars,

on new routes.

 

Still hauling the freight and fright

of struggle.

Still buoyed by hope.

 

We were once joined on

that Workers’ Center train,

powering through Greensboro.

And what a train that was!

 

Its memory carries us on,

even when history bends and our engine

has turned out of view.

 

We were, for those moments, as we will be again,

in the highest community – burdened by life

but maintained by the embrace

of a comrade, enraptured by

embarking for the barricades

together.

 

We were, for those moments, as we will be again,

all aboard a locomotive of history,

a liberated train,

powering for its permanence.

 

And when this uneven world rifts,

maybe you’ve chosen to raise your fist

or move your feet toward this clarion call

arriving at the front of your heart – now a ticket

in your breast pocket;

or maybe that day is coming.

 

Put your hand to the rail.

Does it tremble?

 

A train of the South,

diverting from this world

 

to a better one,

its own movement

guiding the switches;

 

and liberty’s dim light shines

like a north star,

 

twinkling in our left eyes

when racing eastbound

toward a new dawn rising

 

just beyond

the night’s malice

 

and the veil of fear

and sorrow,

 

coming, coming, coming

all along the line

 

of tomorrow.

 

Joel Sronce